Martin Streek Remembered ~ A Tribute to Martin Streek
Last night, I wrote about George Stroumboulopoulos' "new, independent FM". Earlier today, I had a direct message from Strombo on Twitter. He wanted a phone number he could reach me at.
I gave him my Blackberry number and went about my afternoon, which primarily consisted of picking up my son and taking him to his soccer match. On my way home, I heard Tom Cheek ordering Joe Carter to "touch 'em all". I had a phone call.
"Mike, it's George Stroumboulopoulos."
George had called to discuss his independent FM, but we ended up talking about a great deal more. We chatted about our mutual admiration for Humble and Fred, what CFNY meant to him, his love of radio, Martin Streek, and other things I won't write about here. He came across as a genuinely sweet guy and the convo was effortless.
With regards to The Strombo Show, he told me he pulled it from the Corus lineup. He said his schedule was too hectic so he pulled the plug.
As for independent FM, he emphasized that it's just a kernel of an idea at this point, and it's not yet a podcast, satellite or terrestrial radio show. Strombo is passionate about radio and definitely wants to continue his show, but he's not yet sure about the format or where it will happen. It is important to him, however, that he's able to play what he wants.
There's clearly a spirit to George's independent FM that sounds familiar. He promised to let me know when it's more than just an idea and I promised to promote it best I can.
I dig it when personalities I know from radio and/or television actually turn out to be good people. Thanks for the call, George.
Following his death, Martin Streek's official site, MartinStreek.com, was chillingly frozen in time. It alluded to his current DJ gig of 25 years, a gig he lost two months before his death. It was a painful visit.
MartinStreek.com has finally been updated and is actually hosting the 3-hour tribute to Streek that aired on CFNY / Edge 102.1. That's the tribute that led to this collection of thoughts. Download the three MP3s below and throw them on the iPod.
Remember, you can still download all five hours of David Marsden's tribute to Martin Streek that aired on 94.9 The Rock.
Thanks to whomever cracked the code and finally updated MartinStreek.com.
On the heels of The Ballad of Martin Streek comes another super revealing look into the culture change at CFNY / Edge 102.1 under the direction of Program Director Ross Winters. Glove tap to Shane Fame Alexander for this find. Barry Taylor, fired Edge DJ, reveals all on his MySpace page.
There are no delusions of grandeur going on here. But at the same time try and name another radio personality that managed to use his name to create a play on words for the title of a joke and a survey. Seriously. That’s pretty awesome.
The inquiring emails have gotten out of control. At last count there were 7. Let’s deal with this before someone gets hurt. There were some statistical rating issues at the Edge. These began a couple of years ago when the station started to air six, two minute commercial breaks an hour instead of three breaks of three to four minutes. The station suffered - except for the morning show as they were the only time slot that didn’t change to the six commercial break format.
This new format created times when there would be two minutes of commercials followed by a song followed by another two minutes of commercials followed by a song, two more minutes of commercials, another song followed by a minute long promo followed by a song.
It should also be made clear that in radio the only times that really matter for generating revenue are Monday to Friday between 6am and 6pm. I worked Mon-Wed evenings starting at 7PM and weekend afternoons, A.K.A. – prime time. And according to Ross Winters I was a problem.
Ross Winters. The latest Program Director at one oh two point one the Edge. The guy who continually calls all the shots. When one thinks of Ross one word comes to mind: Adonis. Cut from the pages of a romance novel, the man turns heads when he walks into a room; the ladies stare with lustful eyes and the men stare with envy. He speaks with a slight accent that moistens the loincloths of every female within ear shot. The only thing sexier than his long, chestnut-brown hair are his muscles. A man among boys.
The first thing Ross ever talked to me about was how much money KROQ in Los Angeles made. This wasn’t a good sign. He casually continued to express his ideas on making the Edge like a Top 40 station but with grunge music. “Zee Edge must appear sexier to all zee people of Toronto” he told me. “Like Paris Hilton.” But he pronounced Paris like Pair-ee so I was confused at first. From that point on I was pretty positive I was ####ed. Sounding like a monotone burnout doesn’t really work with Top 40 Radio.
Changes came quick with Ross. The music played on the station became incredibly restricted and really repetitive. In the past I was allowed to have input at the station’s music meetings. The meetings happened weekly and it’s where we’d decide which songs to add. Enter Dr. Don Mitchell, the Music Director and Assistant Program Director.
Don is a six foot six, 300 pound African-Canadian who lives and breathes Gangster Rap. When Don was hired a few years ago the Canadian Music Industry instantly stopped and thought: Why, in the name of all things holy would one of the biggest new rock stations on the planet, whose musical integrity and credibility are unmatched, hire a music director that is the absolute antithesis of the demographic they’re trying to reach? Don became known in Toronto music circles for his catch phrase, “Nigga, here’s my mother ####in’ philosophy…”
Ross and Doc decided all music at the Edge would be based on what other stations were playing. They also sent out for a ton of research to try and tune them into what the demographic liked.
One of the last music meetings I was at we were trying to decide which Canadian band to add. Ross liked band A because he had met the lead singer and thought she was sexy. Don wanted band B because they were being played in Edmonton and Calgary, I offered band C. Band C had three sold out shows at Toronto’s Massey Hall that month and band C’s iTune sales were exponentially greater than band A and band B put together.
Dr. Don looked at me like I just pissed in his soup. “Nigga, here’s my mother ####in philosophy,” he snapped. “#### three sold out shows at Massy Hall. I could take a shit on stage and sell out Massey Hall. Why don’t you take your Barry Funny Ass out of this mother ####er. “ Ross agreed. I wasn’t allowed at another music meeting.
Another nail in my coffin came with the whole electric car chaos. Holy crap that upset people. The coverage received more attention from outside media than any other thing that happened on the Edge in the 7 years I was there. Awesome. Management is gonna love the publicity. No. No they didn’t. I was immediately told to not talk about the issue on air.
I was also told I talked too much about music. The 420 Thought was replaced with familiar Foo Fighter or Pearl Jam songs. The Blue Jay Breaks I did with my dad were also axed and for the record, while we covered the Jays this season they were 21-12. Since I was fired they’ve tanked to 49-51 ....so…yeah. Pick a side.
As the station continued it’s homogenization it became clear changes were coming for those who didn’t fit in. The music became even more repetitive to the point where I’d be playing the same song twice in a four hour shift. No artists were to be interviewed on the air, aside from the morning show. Announcers were told to talk for 30 seconds or less and our content was heavily scrutinized.
Finally on a Tuesday in May I was called in before my shift and let go for rating reasons. As an email went out the following day the first person to reach out was Martin Streek. He was very supportive and let me know he had my back. A few hours later Ross had him come into the station for the last time.
So that’s it. In the end it’s not a big deal, it’s a business. The Edge’s number one goal is to make money. Some have asked about Megaphoneman. Sadly he was let go too. Was it discriminatory? Let me put it this way, now that he’s gone Corus Entertainment employs no vocal-impaired Megaphonites. The days when a former opera singer who lost his vocal capabilities due to expired cough syrup and subsequently had to speak through a Megaphone was allowed on the Edge are dead. But let us not forget those days and they will live on as the Spirit of Radio.
That which we thought was true, is true. CFNY is now a Top 40 station but with grunge music.
Over the past week or so, I've been communicating with Bert Archer who's been writing an article for the Globe and Mail on CFNY / Edge 102. Bert and I had a nice phone conversation and exchanged several emails and Gtalk messages. He was interested in where CFNY was going following the dismissal and subsequent death of Martin Streek.
I got involved because I broke both Martin's firing and his suicide. CFNY is also one of my favourite blog topics, as it's been my go-to radio station for over 20 years. Even today, as I analyze their song repetition habits and question their playlist, it's the closest match to my musical tastes on Toronto terrestrial radio.
Today, Bert's article about CFNY and Martin Streek was published. You can read it online on the Globe site, or peruse it below. As you'll read, I'm mentioned several times and even quoted.
The Ballad of Martin Streek by Bert Archer, Special to The Globe and Mail
The night 102.1 The Edge fired DJ Martin Streek, he showed up for a birthday party at Andy Poolhall on College Street. Amid a swarm of guests, he bumped into David Marsden, the Toronto radio veteran who'd hired him almost exactly 25 years earlier when he ran the station known as CFNY. According to his former boss, Mr. Streek came over and hugged him, whispering in his ear, "I've just been fired."
Outside the world of sports, personnel decisions rarely make the news. And it's very likely that program director Ross Winters's decision on May 12 and 13 to fire two disgruntled DJs, Mr. Streek and Barry Taylor, wouldn't have either.
Though several Facebook groups sprang up in support of the jockeys - one of them reaching a membership as high as 950 - news of the firings did not go mainstream until July 6. That's when the stunning news of Mr. Streek's death broke in the form of a comment from a friend of Mr. Streek's on torontomike.com. Its proprietor, long-time Edge fan Mike Boon, also added that that Mr. Streek had killed himself.
Soon, the news and comments started popping up on other sites, often in the form of direct attacks on the station whose call letters Mr. Streek had tattooed on his right glute. "The Edge killed Martin," said one torontomike.com commenter.
The Edge is hardly the only radio station in flux, but Mr. Streek's unrelenting enthusiasm for new music made him a symbol of the old, raucous days of radio, a channel of nostalgia unto himself.
"There's something about the 'Spirit of Radio' and what it once was," says Mr. Boon, referring to the old CFNY tagline that inspired a Rush song, "and there's a collective sadness about how radio's devolving in recent years. Martin was a guy who was always there, always solid, extremely likable. When he was let go a couple of months ago, it seemed like a final nail in the coffin."
Yet as Alan Cross sees it, habits have changed as well as taste. A renowned alternative-music historian who preceded Mr. Winters as program director at The Edge, he says, "It was just easier to leave the dial on your favourite station. Now you've got 24 pre-sets."
Mr. Cross, who still works for Edge's owners, Corus Entertainment, was a long-time friend of Mr. Streek's, but rather than casting him as a martyr, he sees the dismissal in practical terms. "A radio station is a business like any other," he says. "People get hired, and sometimes people are let go."
Adapt or die: That's the bitter, and, in Mr. Streek's case, chillingly literal truth. "Our vision is to serve the young adult audience of the GTA," Mr. Winters said in a recent interview, his first since Mr. Streek's death. "We target 18-to-40-year-olds, though mostly the 18-to-34s, and we lean that towards the men."
Though he refuses to comment on the dismissals, he does say that Mr. Cross "had put together a great radio station, but it had its challenges. And when I say challenges, I mean ratings problems."
According to broadcast research company BBM, The Edge is seventh in the Toronto market by number of listeners, with 507,500 people who tune in for at least 15 minutes a week. That's roughly half CHUM-FM's numbers, and 180,000 fewer than its classic-rock brother station, Q107.
Though The Edge might lack listeners, it still enjoys a mythological aura. Originally run out of a little yellow brick house on Main Street in Brampton, the rebellious clarion of alternative music had such a weak signal that fans in Toronto often had to improvise coat-hanger antennas to be able to pick it up. It's the sort of image only a serious lack of money can buy.
But by 1992, star DJs Chris Sheppard, Lee Carter, and Dani Elwell all resigned - Ms. Elwell read out her résumé on air in lieu of notice - because the new program director, Stewart Meyers, was reducing the play lists. But it was still different enough from the rest to attract the current generation of Edge purists, including both Mr. Taylor and Mr. Boon, who only started listening to it after the shift.
Mr. Streek had started out in his last year at high school lugging equipment for the CFNY Road Show - essentially an off-air roving party DJ gig. The '92 shakeup was his big break: he got Mr. Sheppard's old job. From there, he went through a variety of shows, outlasting Mr. Marsden, Steve Anthony, Dan Duran, Live Earl Jive, Kim Hughes, Humble and Fred and Mr. Cross to become the only staff link the station had to its CFNY days.
But as soon as Mr. Winters took over from Mr. Cross last September, Mr. Taylor says both he and Mr. Streek started feeling marginalized.
"Originally, when Alan was program director, Martin and I were participants in the music meetings," he says. "When Ross came in, he just sort of switched the time of the music meetings and made it closed door and didn't let Martin or I know."
The tenor of those meetings had changed, too. According to Mr. Winters, "Our music is not picked by the disc jockeys, it's not picked by me." It's picked by listeners. The station now does three types of audience research every two weeks, and bases its play lists on the results. "If the 18-to-40-year-olds want to hear Foo Fighters and Guns n' Roses, then that's what we'll play."
Mr. Taylor says that he and Mr. Streek made it clear around the office and on the air that they were not happy with the decreasing diversity of the music they were being asked to play. It was a long way from the mid-eighties, when, under Mr. Marsden, listeners were promised $1,002 if they noticed the same song being played more than once in 24 hours. The official limit now is 7 times in 24 hours.
"Martin and I, we both had opinions and would share them on the radio," said Mr. Taylor. "I was told never to talk about anything to do with politics, and that I talked too much about the music." Ditto, he says, for Mr. Streek.
In the last couple of months before they were fired, according to Mr. Taylor, rumours started that the two were on the chopping block. Mr. Streek's own burden got heavier when his long-time romantic relationship dissolved. (Sources would divulge neither her name nor the circumstances of the breakup.)
Then, on May 12, Mr. Taylor got called into a meeting just before his shift. "Ross had an envelope, and he said, 'Ratings at The Edge aren't doing well,' " Mr. Taylor recalls, " 'so we're going to have to make some changes,' and he gave me the envelope, and that was it." The envelope contained his letter of dismissal. According to Mr. Taylor, Mr. Streek was called in for a similar meeting the next day, when he got his own envelope. The last link to the Spirit of Radio days had been severed.
It was that night Mr. Streek showed up to the party on College Street and ran into Mr. Marsden. After a couple of pleasantries, Mr. Streek, who had turned 45 three weeks earlier, leaned in to Mr. Marsden. "You're the only person who ever interviewed me for a job," he said. "I don't know how to interview for a job."
This was not unfamiliar territory for Mr. Marsden, who'd been through several firings, a name change, and now works a 10-hours-a-week jockey gig at Oshawa's 94.9 The Rock. "What we are on the radio is what we is," Mr. Marsden says, remembering the last time he saw his old protégé. "When your job disappears, you ask, 'Who am I,' and too often the answer comes back, 'Nobody.' "
It's a good article that answers some questions we've had these past few weeks. In my quote, I suggested the firing of Martin Streek was the final nail in the spirit of radio's coffin. In actuality, the final nail might be this disturbing fact from the above article.
According to Mr. Winters, "Our music is not picked by the disc jockeys, it's not picked by me." It's picked by listeners. The station now does three types of audience research every two weeks, and bases its play lists on the results. "If the 18-to-40-year-olds want to hear Foo Fighters and Guns n' Roses, then that's what we'll play."
Determining CFNY's playlist is simply too important to be left to the masses.
Now that I have a semblance of closure with regards to Martin Streek's suicide, I want to briefly revisit one of the details surrounding his death that has irrecoverably changed social media in my eyes.
Just before taking his own life, Martin left a suicide note for family, friends and fans in the form of a Facebook status message. Here's what he wrote.
So...I guess that's it...thanks everyone...I'm sorry to those I should be sorry to, I love you to those that I love, and I will see you all again soon (not too soon though)... Let the stories begin.
That final act gives Facebook status messages and Twitter tweets a great deal more weight. Here's a recent tweet from @jkozuch.
@madfatter was quick to point out how such words could now be misconstrued.
Your Facebook status messages and Twitter tweets now matter.
I just listened to the 3-hour tribute to Martin Streek aired on CFNY / Edge 102. Actually, I missed the first 10 minutes, because I wasn't planning to tune in, but then curiosity got the better of me.
Tomorrow night marks two weeks since Martin Streek took his own life. Yesterday marked two months since I wrote about his firing. Corus' firing of Streek ticked me off, Streek's suicide has followed me around like a black cloud for the past 13 days. The purpose of this entry is to throw down some thoughts on tonight's Corus tribute, accept a few realities and find some closure.
I had trouble getting passed the hypocrisy. The following sentiments were expressed over and over again:
- Martin Streek was my favourite DJ.
- Martin Streek was passionate about music.
- Martin Streek was an ideal colleague.
- Martin Streek was the consummate host.
- I love Martin Streek.
- I'll miss Martin Streek.
- There is no other Martin Streek.
- Martin was one of my heroes.
- Martin Streek was one of the best radio hosts.
I'm sure all of the above is true. CFNY / Edge 102 certainly celebrated Streek, but there was no reference that I heard to the fact they dismissed him in May. This is where the rock meets the hard place. Corus fired Streek, and Corus knows 99% of the listeners tonight are oblivious to this fact. Anyone reading this right now is in the 1% minority. If Martin was so exceptional, with musical passion and a way of connecting with listeners like no other rock DJ in this city, why fire him?
Streek's firing received not a word of exposure on the air. He was deleted from the corporate website and never again referred to on the air until he was found dead in his apartment. Tonight, it was a Streek love-in, with creepiness that only sets in when you've been mourning his absence for two months.
The music tonight was fantastic. A great collection of excellent tunes without commercial interruption. I was pleased with the playlist.
The Separation of Management and Colleagues
Potential hypocrisy aside, those who worked with Martin loved him, and those who worked with him aren't necessarily supportive of his dismissal in May. A chance to honour Streek at CFNY, the call letters Streek had tattooed on his body, was likely important to many at that station. If we separate those in management who discounted Streek's connection to us fans and deemed him expendable from those who sincerely liked him and miss him, tonight's tribute becomes far more palatable.
We also got to hear from some old friends, like Freddie P., Kneale Mann, Brother Bill and Maie Pauts. That was pretty cool.
The Thoughts of Others
I try not to live in a silo. Sometimes, I miss the mark. Via Twitter and this blog, I was able to get thoughts from some of you listening to the tribute, and I was able to read these thoughts in real-time.
Here's what some of you thought of tonight's tribute. In the comments, I'd love to hear from the rest of you.
If they missed him so much why did they fire him? I think its too little too late. - Buffalo Boy
Edge is dead to me. - @Sinnacledotcom
Maybe I'm just bitter, but it's really too bad that Streek's unfortunate death prompted Corus to properly acknowledge him. - @bkblades
Fired or not, I think it's a good move for the Edge to provide a tribute. There are years of history there. - @chadtweets
Last night at The Phoenix was a tad creepy and by far the best 102.1 live-to-air music played in a while. We have to remember that there are a lot of friends of Martin still at 102.1. They didn't fire him, management did. - @CraigMarketer
Choosing to think the tribute is coming from staff, rather than the machine. And the song choices so far seem to support that. - @CarrieGee
Cynic in me thinks they felt like they had to do something or they'd look bad. But there's genuine desire to pay tribute too. - @snosk
It's taken them THIS long to come up with a tribute? Waiting this long is just as bad as not having one at all. - @mike_cluett
I was disgusted to hear that CFNY was doing this tribute today. Firstly because, yes, indeed - they did fire the man 2 months ago and secondly because it took them 2 effing weeks to put it together. If the tribute was truly genuine it would have happened last Tuesday. As for Marsden's tribute - that was awesome - listened to and loved every minute. - Sarah
The other issue I am having with CFNY is that they are still running Martin's promo spots. Not cool CFNY - not cool. It seems to me like they are now trying to capitalize off of his death, given that they did not even acknowledge back in May that he was 'leaving' the station and did no tribute to his work at that time. This late in the game, a tribute seems like a ploy to cover up that they had fired him or a gimmick to get back in the public's good graces for having canned Streek in the first place given the recent negative backlash online for their poor handling of the situation. - Sarah
I was listening to it driving from the city... a few of the people are a little too bubbly if you ask me. - @Noeleen1
I'm listening now.....the music is good and they are saying some nice things, but they are making sound like he never left. They talk about how important he was to the Edge and music. What a bunch of hypocritical crap! - Hector
There's a great article in the Star this weekend about Billy from 99.9 only taking 6 weeks for mat leave because she didn't want to be away from her 'audience' for too long. It's a good article about what radio people mean to their listener's. I'm not so sure radio today is like it was a while ago - with that connection, but, as someone who knew Martin for a long time (I'm an old employee) he had a rabid and loyal following and the tribute Marsden played two weeks ago was outstanding. I can't bear to listen to what's on right now. - Andrew
Marsden's tribute was like a raw wake, while the Edge one is a "memorial" with more time to consider. The family is the family. - @valerieinto
I keep having dreams about Martin Streek - BNL did a lot of remotes, etc with him in the early days. So fucking sad. - @stevenpage
The Shitty Facts
Radio is a business. Corus is a corporation seeking to maximize returns. A friend of mine in the biz once told me, "it's a business run by douche bags who never did the thing that the talent they control do, and that's relate to the audience".
Program directors fire people all the time. If you like the personality getting the boot, you hate this. When you dislike the personality getting the boot, you like this. I liked Martin Streek, so his firing understandably pissed me off.
Martin Streek felt he had no other option than to take his own life. It's easy for us to scream at the top of our lungs that he had so many other options, but that's irrelevant. His state of mind had him convinced he'd be better off dead. At the end of the day, this is the shittiest fact of all.
To Martin's mother, his girlfriend and those who loved him in the "real world", my sincere condolences. If I've been feeling this weight for two weeks, I can only imagine what you've been feeling. Just know that he made an impact and won't soon be forgotten.
To fellow fans like myself, we need to move on. I suggest we download the five hour tribute to Martin hosted by David Marsden on The Rock. The MP3s are waiting for us at http://www.torontomike.com/2009/07/martin_streek_tribute_with_dav.html.
We'll always have the memories and we'll always have the music. Martin Streek, rest in peace.
Discuss "Thoughts on 102.1 Tribute to Martin Streek, Shitty Facts, Closure Sought" (22 comments so far)
Edge 102.1 / CFNY won't be airing The Strombo Show for the second Sunday in a row. They're giving up that timeslot today to air a tribute to Martin Streek. Personally, I'm uncomfortable with that station airing a three hour tribute to Martin Streek because I can't get passed the fact they fired the man with the old station logo literally tattooed on his ass in May.
The tribute to Streek I can get behind, and have been promoting like crazy the past couple of days, is the five hour one David Marsden did on The Rock. I implore all CFNY fans from the 80s and 90s, and all those mourning the loss of Martin, to download all five hours now at http://www.torontomike.com/2009/07/martin_streek_tribute_with_dav.html. It's fantastic radio.
Last Sunday, I noted that CFNY did not air the first Strombo Show following Martin Streek's death. I was speculating that perhaps Strombo, a good friend and fan of Martin, made this happen. His show did air on other Corus stations. I'm a big Strombo fan, and I was interested in his tribute to Streek. For my money, nobody could impart their passion for good music the way Streek and Strombo could.
edge.ca still has a page for The Strombo Show, but when you click through their page for more on The Strombo Show, you get nothing.
A temporary hosting issue or more Strombo Show smoke while we look for fire?
This is great radio. Download the five MP3s below and throw them on the iPod.
» Martin Streek Tribute with David Marsden PART 1
» Martin Streek Tribute with David Marsden PART 2
» Martin Streek Tribute with David Marsden PART 3
» Martin Streek Tribute with David Marsden PART 4
» Martin Streek Tribute with David Marsden PART 5
That's all five hours, un-cut. It's not only a great tribute to Martin, but it's a fantastic collection of awesome music.
Heres what I know to be true. I know CFNY / Edge 102.1 did not air The Strombo Show on Sunday. I know the other Corus radio stations who carry Strombo's show did air it as usual.
What I don't know, and I've tried to find out but failed, is whether The Strombo Show aired this past Sunday was live. I can't say whether it was a rerun or a new episode. It's quite possible George Stroumboulopoulos is on vacation, or simply taking a break after losing a good friend.
I received the email below from someone with similar questions. This person has permitted me to post the email, so long as I keep him or her anonymous.
Thanks for the sincere blogs over the last week. It's been helpful to visit an authentic forum.
I know from your post Sun. night that you didn't catch the strombo show, but have you heard anything about it since? I'm Brantford way and listened on fm96, where it aired at 5pm as usual.
Although I missed the beginning of the show, it seemed to me that George gave tribute via the playlist. There were some obscure tracks, some party tunes, some rebellion as usual. Not a lot of chitchat. The lyrics of the last set were striking to me and included a deathcab song (soul meets body), ac newman (prophets [which I heard at the time as "profits", given the current climate]), bedouin (walls fall down), and stones gimme shelter ended the show. He made a point of telling us to listen to the backup singer singing of rape and murder, and rather than playing through the whole song, ended the show directly after the backup singer blew out her voice singing "Murder" with such passion. That was the last word. Cut to commercial.
The statement seemed subtle and strong; he didn't give enough rope to hang himself with but if you knew what to listen for, the message was loud and clear.
So I wondered if I was reading too much into that (and was that even Strombo DJing? and was it a repeat show?) and waited for some kind of discussion online. Have you heard anymore about it? Do you have an opinion? I'd be interested in your thoughts.
PS - While I'm seeking opinions: this memorial at the Pheonix on Saturday - will Corus profit from that? Isn't it still a live-to-air cfny DJ'ed event? I'd love to go but have no intention of feeding the beast.
Very interesting... unless Sunday's show was a rerun. Or are me and **name removed** reading entirely too much into the fact CFNY didn't air the first Strombo Show after Martin Streek's death?
Last night, after our ball game, the Mikes and I got talking about the Phoenix. The Phoenix, for you out-of-towners, is a club at 410 Sherbourne Street that I used to frequent in the mid-90s. I was there for the moshing anthems but you never knew who you'd bump into.
We were talking about the Phoenix Concert Theatre because we were talking about Club 102, a live-to-air event heard on 102.1 every Saturday night for as long as I can remember. Club 102 was hosted by Chris Sheppard, and when Shep left, Martin Streek took over.
Club 102 was fun, because it was great tune after great tune. Streek was the perfect host, full of energy and passion with a fantastic voice. There's a Facebook group in memory of Streek, and that's where I found an hour and two minutes of Club 102 recorded live from the Phoenix and hosted by Martin Streek. It was shared by Trevor Castle.
I'm embedding the audio below, but I'm not sure how much time we'll have before my free bandwidth allotment gets blown out. I recommend downloading the MP3 by clicking here.
The doors of the Phoenix.... are... now... OPEN!
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